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Each submission must include its own entry form, a separate file and separate entry fee. These writers are also welcome to submit their scripts to any of the other categories they are eligible for.Įntrants may submit multiple entries. The Diversity category exists to encourage writers who have underrepresented voices in Hollywood to enter the contest. If you are a writer who qualifies for this category you are welcome to submit in both Diversity and non-Diversity categories of the competition. When submitting, you will be asked to select the Diversity category and the actual genre of your script, for example, Diversity – Horror. The story itself does not have to be about inclusion or issues of equality. The Diversity category is for scripts written by underrepresented writers. This information would need to be included within the same file, at the end of the script.

#Final draft big break 2021 tv#

The exception is original hour-long and half-hour TV entries, which may include standard supplementary materials, such as lists of recurring characters and future episodes, as part of the screenplay. Do not include resumes, pitches, synopses, casting suggestions, letters, or other supporting documentation with your submission. – Writers name within the script’s file name.Įntry should consist of a screenplay or teleplay only. – Writers name on ANY page of the script – Writers name, WGA or representation info on the title page The title of the script will be provided to the reader as part of the file name and in the judging form.ĭo NOT include personally identifying information (name, etc.) ANYWHERE in your script as this will result in INSTANT DISQUALIFICATION. Entries less than 20 pages that are clearly not a screenplay (short stories, comic books, etc.) will also be disqualified.Īll necessary information is captured upon entry of digital submissions, so title pages should be removed or contact information must be deleted from the title page. – Teleplays (hour-long approximately 40 to 70 pages, half hour approximately 20 to 35 pages).Īny entries over 150 pages WILL BE DISQUALIFIED. – Full-length screenplays (approximately 80 to 120 pages)

You are not required to use Final Draft in order to enter the Contest.

#Final draft big break 2021 pdf#

To enter your script electronically, you must submit your screenplay in PDF format. The Big Break Screenwriting Contest only accepts online entry of feature film and television screenplays (original pilot scripts only – miniseries cannot be accepted). All entries must be electronically submitted by midnight (Pacific Time) on their respective deadlines. $79.00 – Last Chance Deadline August 2, 2022ĭates reflect deadlines for electronic submission of scripts.

Level 1 participation in 6-Week TV Spec & Pilot Teleseminar from Jen Grisanti Inc.Īt the program's request, Coverfly will automatically remove your title page for you if you include one when submitting to this program.

Copy of Save The Cat! Strikes Back by screenwriter Blake Snyder.

One-year International Screenwriters Association CONNECT membership.

Free entry to any Script Pipeline Season – Feature or TV.

Grand Prize Winners also receive two free evaluations from The Black List readers

Three months free hosting of your script on The Black List.

#Final draft big break 2021 how to#

60-minute webinar with screenwriting career coach Lee Jessup on how to capitalize on your Big Break win.

Writer brand assessment from Lee Jessup.

Luncheon with Big Break judges and other industry professionals.

One-hour career consultation with Carole Kirschner of Park on the Lot to create a step by step, personalized game plan for leveraging the contest winĮach Feature and TV Award winner receives:.

Script Consultation from Jen Grisanti Consultancy including written/verbal notes and meeting to review the notes and your logline.

Script consultation with a Script Pipeline’s Director of Development for potential industry circulationĪdditional prizes for TV Grand Prize winner:.

Query Letter or One-Sheet analysis and a personalized, signed copy of The Screenwriter’s Bible by Dave Trottier.

Admission to one Robert McKee Story Seminar in 2022 in London, New York or Los Angeles.

#Final draft big break 2021 software#

Copy of Save The Cat! Story Structure Software.

60-90 Minute Career/Meeting Prep Session from screenwriting career coach Lee Jessup.

Cocktails with Big Break Grand Prize Alumni.

One-on-one consulting services and 1-year subscription to ScriptHop.

#Final draft big break 2021 plus#

A trip to Hollywood – roundtrip airfare to Los Angeles plus hotel accommodations.One Feature Grand Prize and one TV Grand Prize winner will be chosen from the 11 Feature Genre and TV Format award winners.